Between music consumption and collective action
belonging and identity in Taylor Swift’s Brazilian fandom
DOI:
https://doi.org/10.18568/cmc.2026.e3260Keywords:
fandom, Taylor Swift, music consumption, social identity, collective actionAbstract
This article investigates participation, belonging, identification, and social mobilization in Taylor Swift’s Brazilian fandom. Drawing primarily on studies of participatory culture and fandom, Social Identity Theory, and dis-cussions of parasocial relationships and fan activism, the study aimed to describe how Brazilian women who identify as Taylor Swift fans experience these different dimensions of fandom participation and how they coexist within the community. A cross-sectional, descriptive online survey was conducted with 6,152 women fans recruited through convenience and snowball sampling, and the data were analyzed using descriptive statistics. The results showed that 89.5% considered being a fan part of their identity, 79.4% felt that they belonged to a community, and 35.2% had participated in mobilizations influenced by the fandom. Social media were the primary means of interaction. The findings indicate that the fandom connects music consumption, meaning-making, digital sociability, and collective action while encompassing different modes and intensities of participation.
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Copyright (c) 2026 Julia Mariot Jeronimo Costa, Tatiana Cavalcanti de Albuquerque Leal

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