"WHO ARE YOU, LIZZIE BENNET?" PARATEXTS, FICTION AND FACTUALITY IN TLBD

Authors

DOI:

https://doi.org/10.18568/cmc.v18i53.2464

Abstract

The present paper seeks to know qualitatively how the relations between the paratexts of the first episode of The Lizzie Bennet Diaries web series (an adaptation of the novel Pride and Prejudice by Jane Austen) and the perception of a small group of Internet users. From the initial discussions involving the binomial fiction x factuality (Kuhn) and the concepts of paratextuality (Genette) and metacommunication and framing (Bateson, Watzlawick, Goffman, Volli), we search to analyze how the user’s perception work in this case. By the end, it is noticed that there are no different perceptions regarding the text, but that they are in a different situation and are not affected by the environment.

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Author Biographies

Ricardo Jorge de Lucena Lucas, Universidade Federal do Ceará (UFC)

PhD in Communication at the Federal University of Pernambuco (UFPE). Associate professor level II of the Journalism course of the Institute of Culture and Art at Federal University of Ceará (ICA-UFC) and the Post-Graduate Program in Communication at the Federal University of Ceará (PPGCOM-UFC). 

Mariana Gonçalves Moreira, Universidade Federal do Ceará (UFC)

PhD student in Communication at the Post-Graduate Program in Communication (PPGCOM) at the Federal University of Pernambuco (UFPE), with a research focused on narrative studies and transmedia. Master’s in communication at the Postgraduate Program in Communication (PPGCOM-UFC) and BA in Social Communication, major in Advertising, both at Federal University of Ceará (UFC). 

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Published

2021-12-20

How to Cite

de Lucena Lucas, R. J., & Moreira, M. G. (2021). "WHO ARE YOU, LIZZIE BENNET?" PARATEXTS, FICTION AND FACTUALITY IN TLBD. Comunicação Mídia E Consumo, 18(53). https://doi.org/10.18568/cmc.v18i53.2464

Issue

Vol. 18 No. 53 (2021): SETEMBRO/DEZEMBRO

Section

Artigos

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Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the work sharing with acknowledgment of authorship and initial publication in this magazine.