Black Brazilian Film

identity and the invention of new communities

Authors

DOI:

https://doi.org/10.18568/cmc.v21i62.2994

Keywords:

cinema; identidade; fabulação; cinema negro; cinema brasileiro

Abstract

Black Brazilian Film has grown significantly in the 21st century, expressing itself in a plural way and internally comprising distinct disputes over visibility and recognition. The creation of moving images based on the discourse of racial identity produces representations that go beyond national borders and imagine new communities. Based on the studies of Stuart Hall and the film analysis of the short films Liberdade (2018, Pedro Nishi and Vinícius Silva) e Aurora (2018, Everlane Moraes), this article sets out to recognize the fabulation and the use of identity as a pair in the political project of self-affirmation and reinventions of the self in filmmaking. 

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Author Biographies

Natasha Roberta dos Santos Rodrigues dos Santos Rodrigues, Center for Critical Imagination: Political Economy and Citizenship

Participant in the 2024 Student Training Program of the Center for Critical Imagination: Political Economy and Citizenship (CCI), at the Brazilian Center for Analysis and Planning (CEBRAP). Master's degree in the Department of Multimedia, Media and Communication, at the State University of Campinas (UNICAMP). 

Gilberto Alexandre Sobrinho Sobrinho, State University of Campinas

Full Professor at the Department of Multimedia, Media and Communication, Institute of Arts, at the State University of Campinas (UNICAMP). Post-doctorate at the Department of Cinema, New York University.

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Published

2024-12-26

How to Cite

dos Santos Rodrigues, N. R. dos S. R., & Sobrinho, G. A. S. (2024). Black Brazilian Film: identity and the invention of new communities . Comunicação Mídia E Consumo, 21(62). https://doi.org/10.18568/cmc.v21i62.2994

Issue

Vol. 21 No. 62 (2024): SET/DEZ

Section

Dossiê - Produção, circulação e consumo de imagens produzidas em coletividade e a fabulação do comum

License

Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the work sharing with acknowledgment of authorship and initial publication in this magazine.