The Hobbit in Brazil: the reception of cinematographic trilogy
DOI:
https://doi.org/10.18568/cmc.v17i50.2123Keywords:
O Hobbit, Recepção, Audiência brasileiraAbstract
In this article are presented the Brazilian results referring to the research The Hobbit Project which involved 46 countries and that investigated the audience’s perception about one or more films in the trilogy. Two dimensions are explored in this article: the quantitative data related to the 12 closed questions of the world questionnaire, as well as the discussion of one of the open questions, which highlights why Brazilian audience chooses the cinematographic genre. The objective is to evidence, looking to the closed questions, the characteristics of the Brazilian data to then treat some of these aspects in a qualitative way from the open question emphasized. It is understood that with these data, we can evidence the particularities that Brazil can present in relation to the trilogy, besides the perception of the receivers about it.Downloads
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Published
2020-11-17
How to Cite
Jacks, N., John, V., Schmitz, D., & Seligman, L. (2020). The Hobbit in Brazil: the reception of cinematographic trilogy. Comunicação Mídia E Consumo, 17(50), 579–601. https://doi.org/10.18568/cmc.v17i50.2123
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