Vol. 17 No. 50 (2020): SETEMBRO/DEZEMBRO

View Vol. 17 No. 50 (2020): SETEMBRO/DEZEMBRO
DOI: https://doi.org/10.18568/cmc.v17i50
Published: 2020-11-17

Full Issue

Editorial

  • Editorial

    Eliza Bachega Casadei, Mônica Rebecca Ferrari Nunes
    DOI: https://doi.org/10.18568/cmc.v17i50.2481

Dossiê - Homenagem a Maria Aparecida Baccega

  • Maria Aparecida Baccega’s contributions for reception studies

    Roseli Figaro
    399-426
    DOI: https://doi.org/10.18568/cmc.v17i50.2408

  • Maria Aparecida Baccega: the word and the act

    Adilson Odair Citelli
    427-442
    DOI: https://doi.org/10.18568/cmc.v17i50.2405

  • Ondjaki’s “Transparent City”: Luanda as a metaphor for Angola

    Isabel Ferin Cunha
    443-468
    DOI: https://doi.org/10.18568/cmc.v17i50.2480

Artigos

  • Portraits of migration in the Brazilian television series “Portugal pelos Brasileiros”

    Patricia Posch, Rosa Cabecinhas
    469-488
    DOI: https://doi.org/10.18568/cmc.v17i50.2277

  • Come on be happy: strategies of control and discursive manipulation of emotions in advertising and corporate realms

    Rogério Luiz Covaleski, Leonardo Pinheiro Mozdzenski
    489-520
    DOI: https://doi.org/10.18568/cmc.v17i50.2208

  • The new territorialities of information and the non-place of news

    João Guilherme da Costa Franco Silva D´Arcadia, Juliano Maurício de Carvalho
    521-535
    DOI: https://doi.org/10.18568/cmc.v17i50.2276

  • Interaction Anchorages in Mediatized Groups: a quantiqualitative approach

    Fernando Luiz Nobre Cavalcante, Michael Manfred Hanke
    536-558
    DOI: https://doi.org/10.18568/cmc.v17i49.2227

  • Japanese and South Korean television productions on Netflix Brazil: opening notes

    Krystal Urbano
    559-578
    DOI: https://doi.org/10.18568/cmc.v17i50.2164

  • The Hobbit in Brazil: the reception of cinematographic trilogy

    Nilda Jacks, Valquiria John, Daniela Schmitz, Laura Seligman
    579-601
    DOI: https://doi.org/10.18568/cmc.v17i50.2123